SIGNIFYING THE SIGNS IN BREAKUPS OF A COUPLE OF LOVERS IN SIX SELECTED BATAK TOBA SONGS

Authors

  • Pininta Veronika Silalahi Universitas 17 Agustus 1945 Surabaya

DOI:

https://doi.org/10.69957/tanda.v3i01.930

Keywords:

semiotics, sign, triadic relation, Batak Toba songs

Abstract

This study is intended to investigate the interpretant of five selected Batak Toba Songs about breaking the promise which causes breakup of love relationship. The research question is answered by applying Pierce's theory of signs or semiotics. It is used as the theoretical framework to show the relationship between the Object (Referent), Representation (words), and Interpretant, also known as the (reference). The object of the song is the brekup, the representamen is the lyrics of the five songs. The lyrics of these five songs are examined using semiotic analysis, and the meaning is interpreted based on Ogden and Richard's semantic triangle (1946). The finding shows there are nine signs of Interpretant found in the lyrics, they are heartbroken, sadness, loyalty, curse, profanity, sweet memory, gratuitous act and despair. It shows that there are some specific vocabulary in Batak language, like ripur, malengleng, matapor, magargar, etc.

Author Biography

Pininta Veronika Silalahi, Universitas 17 Agustus 1945 Surabaya

Dosen di Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas 17 Agustus 1945 Surabaya

References

Aritonang, Merry Debby. (2015). Analisis Bentuk Sapaan terhadap Anak Perempuan dalam Bahasa Batak Toba pada Lirik Lagu “Boru Panggoaran”, “Boru Buha Baju”, dan “Supir Panjang”. LOA: Jurnal Ketatabahasaan dan Kesusastraan, 10(2), Desember, 153-163. https://ojs.badanbahasa.kemdikbud.go.id/jurnal/index.php/loa/article/view/2051. Access 12-01-2023.

Cavallaro, Dani. (2007). Critical and Cultural Theory (Thematic Variation). New Brunswick, New Jersey: The Athlone Press.

Cox, Terry. (2000). You can write Song Lyrics. Cincinati Ohio: Writer’s Digest Books.

Danesi, Marcel. (2004). Messages, Signs, And Meanings: A Basic Textbook in Semiotics and Communication Theory. Third Edition. Toronto: Canadian Scholars’ Press Inc

Eco, Umberto. (1979). Theory of Semiotics. Bloomington, London: Indiana University Press.

Hartshorne, Charles and Paul Weiss. (1931). Collected Papers of Charles Sanders Peirce. Cambridge, Massachusetts: The Murray Printing Company.

Hugo, J.A. & Situmeang, I. (2016). Penafsiran Makna Lagu Tradisional Batak Toba Andung “Saur Matua Maho Inang” (Analisis Semiotika Ferdinand de Saussure). Semiotika, 10(1), Juni, 86-118. https://journal.ubm.ac.id/index.php/semiotika/article/view/26. Access 12-01-2023.

Nӧth, Winfried. (1990). Handbook of Semiotics. Bloomington and Indinapolis: Indiana University Press.

Ogden, C.K. and I.A. Richards. (1923). The Meaning of Meaning. New York: Harcourt, Brace & World, Inc.

Silalahi, Pininta Veronika. (2020). Representations of Beauty, Love, Homesick, and Memory to Homeland Expressed in the Lyrics of Batak Toba Songs. Parafrase, 20(1) Mei, 59-66. https://jurnal.untag-sby.ac.id/index.php/parafrase/article/view/4049. Access 12-01-2023.

Silalahi, Pininta Veronika. (2020). Addressing, Prayer, and Guidance, Verbalized in Batak Toba Traditional Song about Daughter. Parafrase, 20(2), October, 132-142.

Wierzbicka, Anna. (1992). Semantics, Culture, and Cognition. New York, Oxford: Oxford University Press.

Wierzbicka, Anna. (1997). Understanding Cultures through Their Key Words. New York, Oxford: Oxford University Press.

Downloads

Published

2023-01-01

How to Cite

Veronika Silalahi, P. (2023). SIGNIFYING THE SIGNS IN BREAKUPS OF A COUPLE OF LOVERS IN SIX SELECTED BATAK TOBA SONGS. TANDA: Jurnal Kajian Budaya, Bahasa Dan Sastra (e-ISSN: 2797-0477), 3(01), 1–8. https://doi.org/10.69957/tanda.v3i01.930

Issue

Vol. 3 No. 01 (2023): SASTRA DAN BAHASA

Section

KESUSASTRAAN

License

Copyright (c) 2023 Pininta Veronika Silalahi

Creative Commons License

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.

Authors publishing in TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra e-ISSN 2797-0477 will be asked to sign a Copyright Determination Form. In signing the form, it is assumed that the author has obtained permission to use copyrighted or previously published material. All authors must read and agree to the terms outlined in the form, and must sign the form or agree that the corresponding author can sign on their behalf. The article cannot be published until the signed form has been received. It is a condition of publication that authors grant copyright or license the publication rights in their article, including the abstract, to jurnaltanda@gmail.com. This allows us to ensure full copyright protection and to disseminate the article, and of course the Journal to the widest possible readership in both print and electronic formats.