KAJIAN MASKULINITAS TOKOH LAKI-LAKI DALAM NOVEL RADEN ADJENG KARMIATI (1929)
DOI:
https://doi.org/10.69957/tanda.v6i04.3039Keywords:
Raden Adjeng Karmiati, Raewyn Connell, Interseksionalitas, Sastra Peranakan TionghoaAbstract
Penelitian ini mengkaji bagaimana maskulinitas tokoh laki-laki dalam Raden Adjeng Karmiati (1929) dikonstruksi. Dengan menggunakan teori maskulinitas Connell yang mencakup relasi kuasa, relasi produksi, dan cathexis untuk membongkar bagaimana ruang domestik, nilai patriarki, dan struktur kolonial membentuk identitas laki-laki. Hasil analisis menunjukkan adanya polarisasi ekstrem antara tokoh Wirjonoto sebagai representasi complicit masculinity dan Wirsojoedo sebagai representasi hegemonic masculinity yang destruktif. Selain itu, tokoh M. Arti dan Djojoastro adalah representasi marginal masculinity. Selain mengkaji tokoh laki-laki, penelitian ini mengungkap ambivalensi kritik gender yang terbelenggu oleh logika male gaze dengan penempatan perempuan sebagai objek pasif dari hasrat maskulin. Penelitian ini menyimpulkan bahwa sastra Peranakan Tionghoa berfungsi sebagai ruang diskursi aktif yang mereproduksi norma sosial dan hierarki kekuasaan kolonial
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