STRUKTUR KEBATINAN DALAM PUISI PADA PIANO KARYA ACHLUDDIN IBNU ROCHIM
DOI:
https://doi.org/10.69957/tanda.v3i04.2055Keywords:
puisi, struktur kebatinan, kontemplasi, musik, ekspresi batinAbstract
Puisi Pada Piano karya Achluddin Ibnu Rochim menampilkan ekspresi kontemplatif yang melibatkan perpaduan antara suasana batin, elemen musik, dan penghayatan spiritualitas. Melalui struktur puisi yang metaforis dan reflektif, penyair menghadirkan dinamika relasi antara "aku", "kau", dan alam semesta dalam suatu dialog batin yang mendalam. Penelitian ini bertujuan mengungkap struktur kebatinan dalam puisi tersebut dengan pendekatan kualitatif dan metode deskriptif-analitik sastra. Teori yang digunakan adalah strukturalisme spiritual (Zamroni), teori ekspresivisme sastra, serta pendekatan fenomenologi sastra. Hasil analisis menunjukkan bahwa puisi ini membentuk struktur kebatinan yang kuat, tercermin dalam relasi antara suara-suara batin penyair dengan simbol-simbol alam, musik, dan waktu. Puisi ini mengajak pembaca untuk merasakan proses reflektif dalam menghadapi kenyataan sosial dan eksistensial.
References
Achluddin Ibnu Rochim, (2015), Pada Piano, https://caffepena.blogspot.com/2015/12/nick-nock-11.html
Ingarden, R. (1973). The Literary Work of Art: An Investigation on the Borderlines of Ontology, Logic, and Theory of Literature. Northwestern University Press.
Ricoeur, P. (1977). The Rule of Metaphor: The Creation of Meaning in Language. Toronto: University of Toronto Press.
Wellek, R., & Warren, A. (1956). Theory of Literature. New York: Harcourt, Brace & World.
Zamroni. (2004). Strukturalisme Transendental: Menelusuri Struktur Kebatinan dalam Sastra. Yogyakarta: Pustaka Pelajar.
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