DYSTOPIAN SOCIETY IN ADAM SILVERA’S THEY BOTH DIE AT THE END
DOI:
https://doi.org/10.69957/tanda.v5i01.2029Keywords:
Dystopian Characteristics, Literary Elements, NarrativesAbstract
In this era there are many novels that deal with reflections of injustice, suffering, social control, and moral issues. This thesis entitled Dystopian Society in Adam Silvera’s They Both Die At The End discusses the characteristics of dystopia reflected in Adam Silvera’s They Both Die at the End and the literary elements that reflect dystopian literature through narration or dialog in the novel. The writer uses Chung’s (2011) theory to describe the characteristic of dystopian society as well as what elements of novel showing dystopian. This research uses qualitative method, with extrinsic and intrinsic approaches used in this research. The results show that there are five characteristics of dystopian society found in the novel i.e. information and independence are controlled and restricted, citizens live in constant fear, there is understanding that one always being watched, prevalence of propaganda, and a leader or idol figure is followed blindly by most of the people, the individual is dehumanized, only the collective matters, and conformity is valued above almost everything else. These dystopian characteristics form a society organized by a large technological system Death Cast, which is each society does not get a chance to feel freedom or fully control their own lives. The second conclusion discusses the literary elements in Adam Silvera’s They Both Die at the End reflect dystopian literature. Moreover, the theme, plot, character, and setting of the story all reflect dystopian literature through technological domination and dehumanization in society.
References
Azizah, & Amalia, R. (2018). Gambaran Dunia Utopia dan Distopia dalam Novel Shinsekai Yori Karya Yuusuke Kishi. Universitas Brawijaya.
Baccolini, Raffaella, and Tom Moylan. Dystopia and Histories. Routledge, 2003. (Membahas elemen-elemen utama masyarakat distopia, termasuk peran pemimpin/idol).
Ball, W. (Director), & Godfrey, E., & Poul, M. (Producers). (2014). The Maze Runner [Film]. 20th Century Fox.
Booker, M. Keith. (1994). The Dystopian Impulse in Modern Literature : Fiction as Social Criticism. London : Greenwood Press.
Booker, M. Keith. Dystopian Literature: A Theory and Research Guide. Greenwood Press, 1994. (Menjelaskan konsep kepatuhan buta dalam masyarakat distopia)
Burger, N. (Director), & Wick, D., Fisher, L., & Platt, D. (Producers). (2014). Divergent [Film]. Summit Entertainment..
Chung, Terri. (n.d). “Dystopian Literature Primer”. Facweb. Dapat diakses pada http://facweb.northseattle.edu/jclapp/Children's%2Literature/Discussion%20Questions/Dystopias%20Characteristics.htm
Chung, Terri. (n.d). “Utopias and Dystopias: Definition and Characteristics”. Furtick, Sarah (ed). Dapat diakses pada http://www.nthurston.k12.wa.us/cms/lib/WA01001371/Centricity Domain/592/UtopiaandDystopiaCharacteristicsandDefinitions.pdf
Damm. R. (2021). Kematian dan Kematian Eksistensial.
Finnsson, G. (2016). The Unexpected Popularity of Dystopian Literature: From Orwell’s Nineteen Eighty-Four and Atwood’s The Handmaid’s Tale to Suzanne Collins’ The Hunger Games Trilogy. University of Iceland School of Humanities.
Grace, N. (2021). The Reality of Dystopia in Politics and Media: A Critical Examination of Nineteen Eighty-Four, Fahrenheit 451, and V for Vendetta. Florida Southern College.
Gultom, E. S., & Salsabila, S. (2023). The Portrait of Dystopia Society in Flawed Novel. SEMAR:Jurnal Sosial Dan Pengabdian Masyarakat, 1(1).
Marina, J. (2018). Dystopian Characteristics In The Giver Novel By Lois Lowry. Universitas Negeri Jakarta.
Masnuah, & Hartanto, E. C. S. (2022). The Power of Death-Cast in They Both Die at the End by Adam Silvera: A Hegemony Analysis. Suar Bentang, 17(2).
Mualim Mujiz. (2017). Isu-Isu Krisis Dalam Novel Novel Dystopiam Science Fiction Amerika.
O’Hare, G. (2013) Dystopian societies in history. Prezi.
Ross, G. (Director), & Jacobson, N. (Producer). (2012). The Hunger Games [Film]. Lionsgate Films.
Shelby, O. (2017). Someone Might Be Watching - An Introduction to dystopian Fiction. Semantics Scholar.
Thuta, M. (2023). This is the Bad Place: What Dystopian Literature Tells Us About Oppression and Resistance. The Mall, 8(1).
Tomczyk, W., & Grimsley, S. (n.d.). Dystopian Socety | Definition, Characteristics & Examples. 2023. https://study.com/academy/lesson/characteristics-of-a-dystopian-society.html.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 Azizah Putri regina Sofiana; Ambar Andayani

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors publishing in TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra e-ISSN 2797-0477 will be asked to sign a Copyright Determination Form. In signing the form, it is assumed that the author has obtained permission to use copyrighted or previously published material. All authors must read and agree to the terms outlined in the form, and must sign the form or agree that the corresponding author can sign on their behalf. The article cannot be published until the signed form has been received. It is a condition of publication that authors grant copyright or license the publication rights in their article, including the abstract, to jurnaltanda@gmail.com. This allows us to ensure full copyright protection and to disseminate the article, and of course the Journal to the widest possible readership in both print and electronic formats.