BERBAGAI PILIHAN NILAI MORAL DALAM CERITA WAYANG
DOI:
https://doi.org/10.69957/tanda.v2i03.172Keywords:
moral value, character development, constructive value, destructive value, dillematic-existentialAbstract
The immortality and greatness of puppet stories make many people to take them as the vital source in searching values for ethic and character education. Through this study, it will show that gods and punakawan stories, as well as both Ramayana and Mahabharata epics, do not only just provide story particles which contain constructive values (to develop character), but also destructive (to destroy character) and dillematic-existential (difficult to decide value preference). The varied values contained there, cause children to be confused in choosing and searching model. Therefore it needs selection, modification, and adaptation which are proportional-contextual in presenting gods and punakawan stories, as well as Ramayana and Mahabarata epics, for education of moral and character values toward Indonesian children.
References
Indweasari, E. (2021). Filsafat ilmu sastra. Dlm. Endraswara, S. (ed.), Teori sastra masa depan: Tokoh, konsep, dan aplikasi, hal. 95-123. Malang: Beranda.
Jupriono. (2009). Wacana humor cerita wayang Jawa Pos dalam perspektif bisosiasi. http://sastra-bahasa.blogspot.com/2009/09/wacana-humor-cerita-wayang-jawa-pos_8271.html. Akses 2 Agustus 2014. Akses 27-02-2021.
Jupriono, D.; Sudaryanto, E. (2020). Pesan-pesan moral dalam epos Ramayana dan Mahabharata. Kamera Indonesia (Komunikasi media & penyiaran). Hal. 353-374. Jakarta: Penerbit Buku Kompas.
Jupriono, D. (2021). Erotica in Mahabharata and Ramayana. International Journal of Educational Research & Social Sciences, 2(3), 619–628. https://www.ijersc.org/index.php/go/article/view/113. Akses 27-08-2021.
Kapoor, K. (2016). Karna (the unsung hero of Mahabharata: the voice of the subaltern). International Journal of Linguistics, Literature and Culture, 2(4), p. 15-25. https://sloap.org/journals/index.php/ ijllc/article/view/132. Akses 27-08-2021.
Magnis-Suseno, F. (2003). Etika Jawa. Jakarta: PT Gramedia Pustaka Utama.
Majirana, J.S. (2019). An analytical study of the Mahabharata as an epic. International Journal of Emerging Technologies and Innovative Research, 6(4), page no. pp8-11. http://www.jetir.org/ papers/JETIR2003003.pdf. Akses 27-02-2021.
Nikodemus. (2014). Dekonstruksi penokohan Dursasana dalam novel Abimanyu, Tujuh Helai Daun Tarsandha karya Gesta Bayuadhy. http://nikodemusoul.wordpress.com/2014/07/22/dekonstruksi. Akses 27-02-2021.
Nugroho, A. (2006). Bathara Brama dewaning geni kagungan putu sekti arane Wisanggeni. Jaya Baya No. 17 Minggu IV Desember: 47.
Nugroho, A. (2007a). Bathara Yamadimati dewa tukang njabut nyawa. Jaya Baya No. 21 Minggu III Januari: 47.
Nugroho, A. (2007b). Bathari Uma, garwa prameswarine Bathara Guru banget sulistya ing warna laire abaga purus. Jaya Baya No. 27 Minggu I Maret: 47.
Nurgiyantoro, B. (2015). Teori pengkajian fiksi. Cet. XI. Jogjakarta: Gadjah Mada Univ. Press.
Pristio, A. (2005). Menggali nilai cinta Mahabarata: Mutiara kebijaksaan klasik yang terlupakan. Yogyakarta: Yayasan Pustaka Nusantara.
Rajagopalachari, C. (2012). Kitab Epos Ramayana. Terj. Yudhi Murtanto. Jogjakarta: IRCiSoD.
Rajagopalachari, C. (2013). Mahabharata sebuah roman epik pencerah jiwa manusia. Terj. Yudhi Murtanto. Jogjakarta: IRCiSoD.
Rajagopalachari, C. (2020). Mahabharata-Ramayana: Epos terbesar sepanjang sejarah anak manusia. Jogjakarta: IRCiSoD.
Rajeswari, S. (2017). Portrayal of women in Mahabharata. IJSR-International Journal of Scientific Research, 6(4) April, p. 449-450. https://www.worldwidejournals.com/international-journal-of-scientific-research-(IJSR)/fileview.php?val=April_2017_1491831249_153.pdf. Akses 27-08-2021.
Sabdalangit. (2014). Perang Bharatayudha: Nafsu paling menghancurkan. https://sabdalangit.wordpress. com/category/filsafat-pewayangan. Akses 27-02-2021.
Sah, R.; Sah, M. (2021). Ethics and governance in the time of Ramayana. International Journal of Religious and Cultural Studies, 3(1), p. 13-38. https://ijracs.rumahpeneleh.or.id/index.php/home/ article/view/ijracs.2021.04.02. Akses 27-08-2021.
Setyodarmodjo, H.S. (2012). Wayang dan pembentukan budi pekerti. Jambatan No. 34, 2 Desember: 88-99.
Sulaksono, D.; Saddhono, K. (2018). Strengthening character of environment preservation using wayang story lakon Dewa Ruci: An ecological literature analysis. ELite Journal: International Journal of Education, Language, and Literature, 1(1) Oktober, pp. 28-34 https://journal.unesa.ac.id/index. php/elite. Akses 27-02-2021.
Sutrisno, R. (2012). Wayang kulit dalam kehidupan masyarakat Indonesia. Jambatan No. 34, 2 Desember: 14-29.
Waluyo, K. (1997). Ramawijaya sang pemelihara dharma kebajikan, pembasmi angkara murka. Cempala, Ed. Ramawijaya, Mei 1997: 7-48.
Yulianti, N.K.D. (2020). Epic Ramayana as a medium for teaching Indonesian culture and language: A perspective of Darmasiswa students. Lekesan Interdisciplinary Journal of Asia Pasific Arts,3(1) April, pp. 15-19. https://jurnal.isi-dps.ac.id/index.php/lekesan/article/view/1080. Akses 27-02-2021.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2022 Achluddin Ibnu Rochim, D. Jupriono
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Authors publishing in TANDA: Jurnal Kajian Budaya, Bahasa dan Sastra e-ISSN 2797-0477 will be asked to sign a Copyright Determination Form. In signing the form, it is assumed that the author has obtained permission to use copyrighted or previously published material. All authors must read and agree to the terms outlined in the form, and must sign the form or agree that the corresponding author can sign on their behalf. The article cannot be published until the signed form has been received. It is a condition of publication that authors grant copyright or license the publication rights in their article, including the abstract, to jurnaltanda@gmail.com. This allows us to ensure full copyright protection and to disseminate the article, and of course the Journal to the widest possible readership in both print and electronic formats.